 |

Erwin Wurm
59 Stellungen/59 Positions, 1992
Courtesy Galerie Krinzinger, Vienna & the artist
Site
2. Erwin Wurm (Austria)
59 Stellungen/59 Positions (1992)
Ballantynes
1st September - 15th October 2002
|
 |

Erwin
Wurm
Flight Simulator, 1998
Courtesy of Galerie Krinzinger, Vienna & the artist
Site
3. Erwin Wurm (Austria)
Flight Simulator (1998)
Bank of New Zealand, Cathedral Square
2nd September - 15th October 2002

|
| |
Erwin Wurm's
work is focused on expanding the concepts and materials associated
with sculpture. Sometimes these concerns are realised as photographic
and video performances, which ultimately are the antithesis of a
sculptural practice understood as monument, model or maquette; that
is, Wurm moves beyond object and pedestal. The body is an essential
component: in these two video projects the artist choreographed
humourous, even absurd scenarios focused on sculpture as a dynamic
act rather than a static thing. In 59 Stellungen/59 Positions
(1992), the very act of putting on a garment revealed sculptural/performance
potential; likewise, in Flight Simulator (1998), a swivel
chair was elevated imaginatively beyond its usual sedentary office
position.
Considered 'temporal
investigations', these works revealed an indebtedness to every-day,
commonplace incidents - they explored the human body in relation
to objects and surroundings. Rather than simply alluding to the
Duchampian notion of the ready-made, Wurm extended this to an understanding
of sculpture as ever ready to be made - a performative dimension
that promotes investigation, process and action as ways of reinvigorating
sculptural conventions.
|