A reflection of sound … an effect that continues after the
original cause has disappeared … what resounds or reverberates …
a suggestion or trace, an evocation of memory … repetition, imitation,
reproduction, recollection, reiteration … retelling stories.
ECHO was sited at Riccarton House & Bush Putaringamotu,
installed in the House and magnificent surrounding garden. The title ECHO
derives from the local Maori name for the area Putaringamotu,
‘the place of an Echo’, and acknowledges the site’s
significance within Ngai Tahu history as one of the first Maori settlements
in the South Island.
The work in ECHO was specific to this heritage site, leased
from Ngai Tahu in 1840 by Scottish settlers William and John Deans who
created there one of the most significant gardens in Canterbury. The artists responded to its contemporary usage, natural and historical significance,
both Maori and European, through wide-ranging and varied practices.
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Curators
Julie King Lectures at the University of Canterbury
School of Fine Arts, writes and curates.
Tessa Giblin (Work it./ECHO)
is Assistant Curator at ARTSPACE and a graduate of the University of Canterbury
School of Fine Arts. Founding Director of Gridlocked, and dealer gallery
for emerging artists Fresh, she has previously curated 'Salon des Refuse'
(2003) and 'Showstoppers' (2004), both at the Jonathan Smart Gallery.
Tessa curated the Reuben Paterson project for ECHO.
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